Scarlot Harlot: Obsessed (from Compulsive Practice)

In this 8 minute clip, Leigh tracks her video documentation during the advent of the AIDS crisis as part of a compilation .”COMPULSIVE PRACTICE” is curated by Jean Carlomusto, Alexandra Juhasz, and Hugh Ryan for Visual AIDS.

visualaids.org/projects/detail/compulsive-practice
For the 2016 Day With(out) Art, Visual AIDS presents COMPULSIVE PRACTICE, a video compilation of compulsive, daily, and habitual practices by nine artists and activists who live with their cameras as one way to manage, reflect upon, and change how they are deeply affected by HIV/AIDS. This hour-long video program will be distributed internationally to museums, art institutions, schools and AIDS organizations.

COMPULSIVE PRACTICE from Visual AIDS on Vimeo.

From video diaries to civil disobedience, holiday specials and backstage antics, Betamax to YouTube, COMPULSIVE PRACTICE displays a diversity of artistic approaches, experiences, and expectations. The compulsive video practices of these artists serve many purposes—outlet, lament, documentation, communication, empowerment, healing—and have many tones—obsessive, driven, poetic, neurotic, celebratory. COMPULSIVE PRACTICE demonstrates the place of technology, self-expression, critique, and community in the many decades and the many experiences of artists and activists living with HIV/AIDS.

COMPULSIVE PRACTICE highlights subjects ranging from historic actions against government neglect to contemporary issues such as Pre-Exposure Prophylaxis (PrEP) and living with an undetectable viral load. Altogether, the program charts over three decades of AIDS-related video production in the face of the ongoing crisis.

COMPULSIVE PRACTICE is curated by Jean Carlomusto, Alexandra Juhasz, and Hugh Ryan for Visual AIDS. Participating video makers and artists include Juanita Mohammed, Ray Navarro (1964–1990), Nelson Sullivan (1948–1989), the Southern AIDS Living Quilt, James Wentzy, Carol Leigh aka Scarlot Harlot, Luna Luis Ortiz, Mark S. King, and Justin B. Terry-Smith.

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